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BIBLIOGRAPHY
I. Baudelaire
Baudelaire, Charles,
Oeuvres Completes
, Paris, Edition Pleiade,
1966.
Benjamin, Walter, Illuminations, ed.by Hannah Arendt, New York, Harcourt,
Brace & World, 1968.
Butor, Michel,
Histoire Extraordinaire
, London, Jonathan Cape,
1969.
Gilman, Margaret,
Baudelaire The Critic
, New York, Octagon Books,
1971.
Johnson, Barbara, "Quelques consequences de la difference anatomique
des textes," (Pour une théorie du poème en prose.)
Poetique
, 1975.
Peyre, Henri, ed., Baudelaire: A Collection of Critical Essays, New
York, Prentice-Hall, Inc., 1965.
Raymond, Marcel, From Baudelaire to Surrealism, New York,
Wittenborn, Schulz,
Inc., 1950.
Starkie, Enid,
Baudelaire
, New York, New Directions, 1958.
Symons, Arthur,
Charles Baudelaire: A Study
, London, Ekin Matthews,
1920.
II. Yeats
Yeats, William Butler,
The Autobiography of William Butler Yeats,
New York, The Macmillan Co., 1938.
Yeats,
The Collected Poems of W. B. Yeats
, Definitive Edition,
New York, The Macmillan Co., 1956.
Yeats,
Ideas of Good and Evil
, New York, Russell & Russell, 1903.
Yeats, "Introduction," in
Oxford Book of Modern Verse
,
ed. by W. B. Yeats, N.Y., Oxford University Press.
Yeats,
The Varorium Edition of the Plays of W. B. Yeats
, ed.
by Russell K.Alspach, New York, The Macmillan Co., 1966.
Yeats,
The Varorium Edition of the Poems
, ed. by Peter Allt and
Russell K.Alspach, New York, Macmillan, 1956.
Yeats,
A Vision
, first edition, London, privately printed. .
. by T. Werner Laurie, 1925; Macmillan, 1937.
Beum, Robert L.,
The poetic art of William Butler Yeats
, New
York, F. Ungar Publishing Co., 1969.
Bloom, Harold,
Yeats
, New York, Oxford University Press, 1970.
Ellis-Fermor, Una,
The Irish Dramatic Movement
, London, Methuen
& Co. Ltd., 1939.
Ellman, Richard,
The Identity of Yeats
, New York, Oxford University
Press, 1954.
Ellman, Richard,
The Man and the Masks
, New York, Macmillan,
1948.
Engelberg, ,
The Vast Design: Patterns in W. B. Yeats's Aesthetic
,
Toronto, University of Toronto Press, 1964.
Henn, T. R.,
The Lonely Tower
, London, Methuen & Co. Ltd., 1950.
Miller, S. Hillis,
Poets of Reality, Six Twentieth Century Writers
,
Cambridge, Mass., The Belknap Press of Harvard University Press, 1966.
Whitaker, Thomas R.,
Swan and Shadow: Yeats' Dialogue with History
,
Chapel Hill, University of North Carolina Press, 1964.
III. Symbolism
Balakian, Anna,
Literary Origins of Surrealism
, New York, King's
Crown Press, 1947.
Balakian, Anna,
The Symbolist Movement
, New York, Random House,
1967.
Feidelson, Charles, Jr.,
Symbolism and American Literature
, Chicago,
University of Chicago Press, 1953.
Lewis, C. Day,
The Poetic Image
, London, Jonathan Cape, 1947.
Schneider, Daniel J.,
Symbolism: The Manichean Vision—A Study
in the Art of James, Conrad, Woolf and Stevens
, Lincoln, University
of Nebraska Press, 1955.
Strelka, Joseph, ed.,
Perspectives in Literary Symbolism
, University
Park, Penn. State University Press, 1968.
Symons, Arthur,
The Symbolist Movement in Literature
, New York,
E. Dutton & Co., 1958.
Tindall, William York,
The Literary Symbol
, Bloomington, Indiana
University Press, 1955.
IV. Critical Method
Auerbach, Erich,
Mimesis, The Representation of Reality in Western
Literature,
transl. by Wm. R. Trask, Princeton, Princeton University
Press, 1953.
Brooks, Cleanth,
The Well Wrought Urn: Studies in the Structure of
Poetry
, New York, Harcourt, Brace & World, 1947.
Burke, Kenneth,
Language as Symbolic Action: Essays on Life, Literature,
and Method
, Los Angeles, University of California Press, 1966.
Culler, Jonathan,
Structuralist Poetics: Structuralism, Linguistics,
and the Study of Literature
, Ithaca, N.Y., Cornell University Press,
1975.
Derrida, J.,
L'Ecriture et la Difference
, Paris, Editions du
Seuil, 1967.
Ellmann, Richard, and Charles Feidelson, Jr.,
The Modern Tradition:
Backgrounds of Modern Literature
, New York, Oxford University
Press, 1965.
Frye, Northrop,
Anatomy of Criticism: Four Essays
, Princeton,
Princeton University Press, 1957.
Klimek, Theodor,
Symbol und Wirklichkeit bei W. B. Yeats,
Bonn,
H. Bouvier u. Co. Verlag, 1967.
Man, Paul de, "Mallarme, Yeats and the post-Romantic predicament."
Ph. D.
dissertation, Harvard,
1966.
Smith, Barbara Hernstein,
Poetic Closure: A Study of How Poems End
,
Chicago, University of Chicago Press, 1968.
Tzvetan, Todorov,
Introduction a la Litterature Fantastique
,
Paris, Edition du Seuil, 1970.
Wellek, Rene, and Austin Warren,
Theory of Literature
, New York,
Harcourt, Brace & World, 1942.
Wimsatt, W. K.,
Hateful Contraries
, University of Kentucky Press,
1965.
Wimsatt, W. K., and Cleanth Brooks,
Literary Criticism: A Short History
,
,1957.
Winters, Yvor,
Forms of Discovery: Critical and Historical Essays
on the Forms of the Short Poem in English
, New Mexico, Alan Swallow,
1967.
V. Context
Arnold, Matthew,
Culture and Anarchy
, ed. by S. Dover Wilson,
Cambridge, (at the) University Press, 1971.
Bradbury, Malcolm, and James McFarlane, ed.,
Modernism
, Middlesex,
England, Penguin Books, 1976.
Daiches, David,
Poetry and the Modern World
, Chicago, University
of Chicago Press, 1940.
Eliot, Thomas Stearns,
On Poetry and Poets
, New York, Farrar,
Straus and Cudahy, 1957.
Ellmann, Richard, ed.,
Edwardians and Late Victorians
, New York,
Columbia University Press, 1960.
Ellmann, Richard, Eminent Domain:
Yeats among Wilde, Joyce, Pound,
Eliot,
and Auden
, New York, Oxford University Press, 1967.
Frazer, Sir James George,
The Golden Bough
, New York, Macmillan
Co., 1940.
Isaacs, J.,
The Background of Modern Poetry
, New York, E. P.
Dutton & Co., 1958.
Shattuck, Roger,
The Banquet Years: The Origins of the Avant-Garde
in France
, New York, Vintage Books, 1955.
Stein, Gertrude,
Writings and Lectures, 1909-1945
, ed. by Patricia
Meyerowitz, Baltimore, Md., Penguin Books, 1967.
Wilson, Edmund,
Axel's Castle
, New York, Scribner's 1932.
Williams, Raymond,
Culture and Society, 1780-1950
, New York,
Harper & Row, 1966.
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